Wednesday, May 6, 2009

CAM, XVID, TS, what is the anwer lies here

ku share nih pun sebab aku rasa korang perlu tau ape CAM , XVID , TS ..dan sebagai nye..ini untuk pemahaman korang bagi tagline untuk link yang korang download sebab ada sesetengah orang tu yang x sedar atau x tau..sebb diorang still lagi tanya kualiti gambar movie tersebut kacak or sik kacak walaupun dah tertulis kat title post tu..baca lagi...
so aku harap ni dapat membantu dalam pencarian kualiti filem yang korang nak..tag ni korang akan selalu jumpa kalau korang ni memang jenis kaki download or selalu mendownload..x kisah lah dekat 3rd party file hosting atau pun dekat torrent
A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn't always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there's text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we're lucky, and the theater will be fairly empty and a fairly clear signal will be heard.

A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled.

A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon. Generally the film will be in correct aspect ratio, although 4:3 telecines have existed. A great example is the JURASSIC PARK 3 TC done last year. TC should not be confused with TimeCode , which is a visible counter on screen throughout the film.

A pre VHS tape, sent to rental stores, and various other places for promotional use. A screener is supplied on a VHS tape, and is usually in a 4:3 (full screen) a/r, although letterboxed screeners are sometimes found. The main draw back is a "ticker" (a message that scrolls past at the bottom of the screen, with the copyright and anti-copy telephone number). Also, if the tape contains any serial numbers, or any other markings that could lead to the source of the tape, these will have to be blocked, usually with a black mark over the section. This is sometimes only for a few seconds, but unfortunately on some copies this will last for the entire film, and some can be quite big. Depending on the equipment used, screener quality can range from excellent if done from a MASTER copy, to very poor if done on an old VHS recorder thru poor capture equipment on a copied tape. Most screeners are transferred to VCD, but a few attempts at SVCD have occurred, some looking better than others.

Same premise as a screener, but transferred off a DVD. Usually letterbox , but without the extras that a DVD retail would contain. The ticker is not usually in the black bars, and will disrupt the viewing. If the ripper has any skill, a DVDscr should be very good. Usually transferred to SVCD or DivX/XviD.

A copy of the final released DVD. If possible this is released PRE retail (for example, Star Wars episode 2) again, should be excellent quality. DVDrips are released in SVCD and DivX/XviD.

Transferred off a retail VHS, mainly skating/sports videos and XXX releases.

TV episode that is either from Network (capped using digital cable/satellite boxes are preferable) or PRE-AIR from satellite feeds sending the program around to networks a few days earlier (do not contain "dogs" but sometimes have flickers etc) Some programs such as WWF Raw Is War contain extra parts, and the "dark matches" and camera/commentary tests are included on the rips. PDTV is capped from a digital TV PCI card, generally giving the best results, and groups tend to release in SVCD for these. VCD/SVCD/DivX/XviD rips are all supported by the TV scene.

A workprint is a copy of the film that has not been finished. It can be missing scenes, music, and quality can range from excellent to very poor. Some WPs are very different from the final print (Men In Black is missing all the aliens, and has actors in their places) and others can contain extra scenes (Jay and Silent Bob) . WPs can be nice additions to the collection once a good quality final has been obtained.

DivX Re-Enc
A DivX re-enc is a film that has been taken from its original VCD source, and re-encoded into a small DivX file. Most commonly found on file sharers, these are usually labeled something like Film.Name.Group(1of2) etc. Common groups are SMR and TND. These aren't really worth downloading, unless you're that unsure about a film u only want a 200mb copy of it. Generally avoid.

A lot of films come from Asian Silvers/PDVD (see below) and these are tagged by the people responsible. Usually with a letter/initials or a little logo, generally in one of the corners. Most famous are the "Z" "A" and "Globe" watermarks.

Asian Silvers / PDVD
These are films put out by eastern bootleggers, and these are usually bought by some groups to put out as their own. Silvers are very cheap and easily available in a lot of countries, and its easy to put out a release, which is why there are so many in the scene at the moment, mainly from smaller groups who don't last more than a few releases. PDVDs are the same thing pressed onto a DVD. They have removable subtitles, and the quality is usually better than the silvers. These are ripped like a normal DVD, but usually released as VCD.


Audio Video Interleave. Video format used in most PCs running Windows. He defines such as video and audio are attached to each other, without specifying a codec.

It is the format owner of Real Networks, a major opponent of Microsoft in the segment of multimedia online.

R5 refers to a specific format of DVD region 5. In an effort to compete with piracy, the industry decided to create this new format that is produced faster and cheaper than traditional DVDs What differs from traditional DVDs is that the R5 are tranferidos directly from a telecine without any kind of image processing, and without any further. Sometimes the R5 DVDs are released without audio in English, demanding that the groups use the piracy of audio from another source. In this case the release has the description. "LINE" to distinguish those who have the audio of the original. The image quality of an R5 generally can be compared with a DVD screener. At the end of 2006 some groups such as DREAMLIGHT, mSs PUKKA and began to appoint its Releases of. "R5" and suggested that other groups do the same.

It is a format based on MPEG-1, with a constant bit-rate of 1150kbit in a setting of 352x240 (NTSC). VCD's are generally used to obtain a lower quality with the goal of smaller size. VCD's and SVCD's are timed in minutes, not in MB, so that when a look, seem larger than the disk capacity, and in fact may lie 74min in a CDR74.

It is the abbreviation of Motion Picture Expert Group and is the source to search for formats of video in general. The group sets standards in digital video, they are among the standard MPEG1 (used in VCDs), the MPEG2 standard (used in DVDs and SVCDS), the standard MPEG4 audio and various standards - including MP3 and AAC. Files containing video MPEG-1 or MPEG-2 can use both. Mpg on. Mpeg the extension.

Format created by Apple for the Quicktime, its multimedia program - also available for Windows.

It can be used for an alternative to. Avi and may contain Ogg Vorbis, MP3 and AC3 audio, all formats of video, information on chapters and subtitles.

NTSC and PAL are the two main standards used throughout the world. NTSC has a frame higher than the PAL (29fps compared to 25fps), but the PAL has a definition of better quality. The two kinds of patterns can have variations, and that in Brazil you use the standard M-PAL and NTSC in the U.S., to TVs, video-cassette, DVDs

MPEG-4 Part 10 AVC/H.264 is a digital video codec that achieves high rates of compression. It was developed by ITU-T Video Coding Experts Group (VCEG) in conjunction with ISO / IEC Moving Picture Experts Group (MPEG). This partnership was known as Joint Video Team (JVT).H.264 is a name given by the ITU-T to describe patterns of H.26x video, while stroke was the name given by ISO / IECMPEG, who completed the project by the end H.26L left by ITU-T.

The PDTV are caught in a PCI card with TV DIGITAL, usually generate the best results. Often we see the rip also labelled as HDTV, but the differences between these two terms are only technical. The groups usually present in SVCD, despite rips in VCD / SVCD / DivX / XviD be accepted in the TV rips.

These are basically VCD / SVCD improved. Both are capable of definitions and best rates, but very high. Very difficult to find.

try la click sekali je..n just kat sini

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